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I'm a freelance theatre/live performance producer from London, now based in New York.

I enjoy thinking through plans and complications and puzzles and finding solutions to conundrums, so even if we don’t end up working together, if you think it might be interesting do drop me a line.

I am a proud member of CIPA, the Creative & Independent Producer Alliance. I helped run the inaugural CIPA Rising Producer Fellowship in 2022.


Artists and companies I'm currently working with:

Rachel Mars 

US & Australia Touring Producer.

Currently available for touring: 

YOUR SEXTS ARE SHIT: OLDER BETTER LETTERS. Next up: The Public Theater, NYC, Jan 11-15 2023. Info & tix here.

OUR CARNAL HEARTS - Download show info pack hereNext up: UMS, Ann Arbor, Feb 1-5 2023. Info & tix here.


Salty Brine

Producer, with Renee Blinkwolt, for THE LIVING RECORD COLLECTION, a series by cabaret artist Salty Brine that re-imagines classic album tracklists as blueprints for evenings of magic, mayhem through story and song. Next up: The Public Theater, NYC, Jan 11-15 2023. Info & tihere

Currently resident at Joe's Pub, NYC. Available for touring.

Lightning Rod Special

Co-GM, with Renee Blinkwolt, for THE APPOINTMENT a hilarious, bitingly satirical musical phantasmagoria about the American abortion debate. Next up: WP Theater/McGinn Cazale Theater, NYC, Jan 12-Feb 4 2023. Info & tihere

Associate Producer for SPEECH at the Philly Fringe, 2022.


Greg Wohead

US Producer for Greg's touring work, including CALL IT A DAY and CRACK OF DAWN. Info packs here and here.

Other work available to tour listed on Touring page, please request info packs.

In development: IN FLOODS. Currently seeking devo/research & presentation partners.

Deepali Gupta & Caitlin Sullivan

Producer for UNITED STATES V. GUPTA, new music-driven theatrical work in development, created by Deepali Gupta, directed by Caitlin Sullivan. World premiere in 2023 at JACK, Brooklyn. Supported by the Brooklyn Arts Fund, the Bel Geddes Design Fund & the New York Foundation for the Arts NYC Women's Fund.

The Bushwick Starr

Interim Producing Director for this wonderful artist-driven producing/presenting theatre in Bushwick, Brooklyn. Website here. Please consider donating to their capital campaign for a new home, additional staff & increased artist commission fees!

The New School

I co-teach the fall semester course in Performance Producing and Production Management for their MA in Artistic Entrepreneurship.

Recent roles include:

The Bushwick Starr - Interim Producing Director from March 2020-May 2021. Website here.

Los Angeles Performance Practice - New York Producer. Line producer for Okwui Okpokwasili's 2018 tour of Poor People's TV Room & development and premiere of Andrew Schneider's NERVOUS/SYSTEM at Bard University, Lumberyard and BAM Next Wave Festival 2018. 

Heather Christian - Producer for ANIMAL WISDOM at the Bushwick Starr, in association with Leeds Playhouse.

The Assembly - Producing Director

the TEAM - General Manager > Associate Producer > Touring Producer

The Play Company - Line Producer for OH MY SWEET LAND

Hartshorn-Hook - Line Producer for Jon Brittain's ROTTERDAM at Brits off Broadway @ 59E59 Theaters

The New Ohio Theatre - Development Director


2018-2020 WP Lab Producing Fellow.

16-17 fellow of the Emerging Leaders of New York Arts.


Past productions include: 

INTELLIGENCE by Helen Banner, directed by Jess Chayes, Produced in association with Dutch Kills Theater, as part of New York Theatre Workshop's 2018-19 Next Door Season

NERVOUS/SYSTEM by Andrew Schneider & Company, for Los Angeles Performance Practice (Bard Fisher Center, Lumberyard, MIT, BAM Next Wave 2018)

RoosevElvis (the TEAM on tour: A.R.T. Cambridge MA, UMS Ann Arbor MI)

Mudlarks (HighTide Festival, Theatre503 & Bush Theatre);

Cuddles (Ovalhouse, London & 59E59 Theaters, NYC);

Fanta Orange and Don Juan Comes Back From the War at the Finborough Theatre, as well as the theatre’s Vibrant – A Festival of Finborough Playwrights festivals (2009-2011);

Amphibians for Offstage Theatre (Bridewell Theatre); 

Phillipa and Will are Now in a Relationship and The Sexual Awakening of Peter Mayo by Jon Brittain for Misshapen Theatre (Pleasance Edinburgh/Theatre503) & Blast Off (Theatre503/Soho Theatre);

The Folk Contraption for Rogues’ Gallery (VAULT Festival/London Wonderground/Latitude Festival).

Old Vic New Voices: The 24 Hour Plays, The TS Eliot US/UK Exchange & Time Warner Ignite.

Nine Edinburgh Festival Fringes include:

And No More Shall We Part for Hampstead Theatre (Traverse Theatre); 

PEEP for Natural Shocks;

White Rabbit, Red Rabbit for Volcano Theatre; 

Thom Tuck Goes Straight-to-DVD (Fosters Edinburgh Comedy Award Nominee for Best Newcomer).


Way Back When includes:

Production Assistant for TEG Productions/Jeremy Meadow Ltd.

Stage One Apprentice for Mark Rubinstein Ltd.



As an independent producer, I work with artists to facilitate the realization of their vision. I love performance in all its forms, and the mission of my practice is for artists and audience to commune in space together, to reflect and learn about the world and ways of being. The work that I produce strives for artistic and intellectual rigor, requests an active audience, and meaningfully contributes to current and ongoing social and political conversations. It is also thoroughly entertaining. I seek to put myself in new and uncomfortable places through art, in order to interrogate preconceptions and dominant narratives. My goals are to create performance of a high artistic standard that engages and interrogates lived experience, tour work to enable cross-cultural pollination and dialogue, and foster community to facilitate resource sharing.

It has always been a priority of mine to provide support for those attempting firsts and taking risks, whether new play writing, experimenting with new forms or creating from new perspectives. 

In thinking about the trajectory of a new performance, I consider its beginnings through to its future. I work with each artist to find support for the work, funding opportunities and residencies, and administrate the process through production. I continue to develop my networks and capabilities as a touring producer, so that the artist’s work can reach audiences with different worldviews, and spark new conversations. I aggregate support for artists through connections with presenting institutions, festival curators and funders, using these resources to create strategic plans.

Finally, a key part of my vision is creating space for teaching, learning and community building within the arts industry. I facilitate the sharing of resources and knowledge between artists and arts managers, with the goal of moving toward a culture of mutual support.


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